Sunday 26 July 2009

Bruce Springsteen and the E Street Band - Hampden Park, Glasgow

Photo © Calum Gregge

14th July 2009

From the moment we stepped into Glasgow's famous Horshoe Bar you could feel the anticipation in the air. People from all walks of life and all ages, sporting Springsteen T Shirts spanning the decades. On the train to Mt Florida we encountered a fan dressed like Bruce in the "Born in the USA" days, complete with bandana and hairy chest! This was always going to be a special night. It's been 28 long years since Springsteen and the E Street Band have played in Scotland, this crowd was ready!

We queued from 4pm to get into the pit at the front of the stage, some people had queued overnight just to get closest to the stage, with the first 1000 in the queue getting priority access, such is the draw of the man. Even the pouring rain couldn't dampen the enthusiasm, the sound of the soundcheck seemed to turn the atmosphere up another notch.

We got into the stadium around 1745 and got our wristbands for the front section, then retreated to the shelter of the West Stand to await a break in the weather and sample some of the overpriced beer that can be found at these stadium gigs. The weather thankfully did break and we took up our positions in front of the stage. Every move of the lighting technicians and roadies was cheered as they readied the stage for the main event.

Around 1955hrs, Nils Lofgren took to the stage with an accordian, playing Flower of Scotland, followed by the rest of the E Street Band and then Springsteen himself. The set exploded into life with Badlands, followed by Out In The Street, with Springsteen covering every inch of the huge stage. The only problem so far is the sound, stadium gigs are notoriously poor for sound, but I'm informed by someone who knows more about these things than me, that the poor sound is due to the stage being along the side of the pitch, meaning less distance for it to travel and rebound of the opposite stand.

It did improve though, and by the time he was asking "Can You Hear Me?" during Outlaw Pete, it was much better. The hits kept coming, each one greeted with a huge cheer. The seldom played Incident on 57th Street and Pink Cadillac were lapped up by the capacity crowd. There was an ahhh moment during Waitin' On A Sunny Day, when he went out to the crowd, found a young girl in her mothers arms, managed to hush the crowd and got her to sing the chorus, before planting a kiss on the little girls forehead, a moment I'm sure she'll never forget.

There were no signs of Springsteen letting up or showing signs of his years as the set continued, a great rendition of The River, the higher tempo Radio Nowhere and The Rising, before the biggest cheer of the night so far for Born To Run. Then on to the encore that included Thunder Road, Bobby Jean and Dancing In The Dark, not to mention Springsteen being joined by his 2 sons for American land, before the show finished, nearly 3 hours after it started, with a cover of The Beatles, Twist and Shout. There was some debate as to wither or not, with a back catalogue the size of
Springsteens and the ommission of hits like Glory Days, Born in the USA, Jungleland and Hungry Heart, playing covers was a good idea, that one will polarise opinion with the fans. Twist and Shout did seem to be enjoyed by all though!

There have been many glory days at Hampden, Caldwells goal against France and McFaddens against Holland spring immediately to mind, but for the Springsteen fans tonight, this 59 year old certainly turned in a performance for just under 3 hours that will take some beating!

Dave Taylor


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Friday 17 July 2009

Manchester Orchestra & Kevin Devine @ MA3

Photo © Jessica Newell

The first thing that hits you when you step into the smallest of Manchester's student's union Academy music halls is the overwhelming heat. Even before any musician walks on stage tonight audience members are soaked in sweat from the sauna like conditions. Luckily tonight's gig is set to be a reasonably mellow affair

Photo © Jessica Newell

Support act Kevin Devine is a softly spoken, ginger haired New Yorker who's toured with Manchester Orchestra on multiple occasions in the states, yet is his first time with them in the UK. The audience are clearly familiar with his music from his association with the headline act, many singing the songs back at him. Kevin is (for this tour at least) one man and his guitar. A gifted singer/songwriter whose powerful lyrics and vocals make you want to stop what you are doing and listen, and for a while even make you forget about the increasing stifling heat. You are left wishing his 40min set was that little bit longer.

Photo © Jessica Newell

Headline act Manchester Orchestra perform tracks from their albums I'm Like a Virgin Losing a Child (2006) and Mean Everything to Nothing (2009) to an enthralled crowd. The songs are much heavier sounding live than they are on record and they deliver them with passion and a maturity that belies their young years (frontman Andy Hull is only 22) They have a great interaction with the audience and prove to be quite humourous, incuding a ditty about the rapper 50 cent that wouldn't sound out of place on a Tenacious D record. They are joined near the end of their gig by Kevin Devine, who performs "Where Have You Been" with them. A rousing song ending with the entire crowd singing the chorus line, acapella, back at the band. By the end it feels as though you have witnessed something truly special. The type of gig where you come out and have such a great feeling inside that it takes at least 5 full minutes to realise that it's chucking it down with rain outside and you're getting soaked.


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Thursday 9 July 2009

Sonny Marvello - Stereo, Glasgow

Photo © Dave Taylor

Sonny Marvello came on stage bathed in pale blue light just after 10pm. For the next 50 minutes they delivered a set with style, passion, panache and soul.

The opening song 'Cry Yourself' immediately set the tone for the rest of the night, the bass and drums locking into a groove allowing Mick Cauldwell on guitar the freedom to introduce playful and melodic licks, underpinned by keyboards, allowing singer Stephen Marvello the chance to shine.

Marvello dominated the stage, a natural showman and a brilliant singer. The next three songs could easily be singles. The bouncy Blur-esque 'Easy Boys & Easy Girls' is surely a Skins soundtrack in the making, 'Who Needs Somebody' is full of sixties style harmonies and melodies, while 'Whispering Song' is absolutely beautiful, the opening guitar riff is enough to move you to tears. There were moments during 'Whispering Song' when the crowd seemed visibly moved at how good a band Sonny Marvello is.

'Love Ain't Sweet' was another highlight, in truth there were no lowlights! 'Pack Up' was another tune that highlighted the bands ear for melodies and harmonies, playful in all the right ways.

The band were clearly enjoying themselves on stage, resplendent in vintage clothing, with the singer sporting his trademark red bowler hat.

The 12 song set is an album in the waiting. It is surely only a matter of time before a record company take a chance on Sonny Mavello. Any newcomers to the band must have been impressed at the next trio of songs; 'Forgiven' is a stunning balad that Coldplay would dream of writing, taken to a higher level towards the end. 'We're All Cruel' was the highlight of the night for many in the crowd, the song closing with all of the band singing the lines; "I don't know, why you're calling me so cruel, the futures full of chemicals, bricks and bombs, oh can't you see, we're still waiting."

Photo © Dave Taylor

'My Lover' is another Blur-esque single in the making, playful, tuneful and poppy. While the closing tune 'Wherever You Go There Is Love' sounds like a long lost gem from McCartney around the time of the White Album.

This is a and set to win hearts and embrace souls. Sonny Marvello are on a mission to entertain and lift spirits. Keep an eye on them.

www.myspace.com/sonnymarvello

Dave Taylor


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